Sin orden ni concierto

  Aria del Acto II de I puritani (Los puritanos)  del compositor italiano Vincenzo Bellini, estrenada en 1835. Letra Qui la voce sua soave Mi chiamava e poi sparì Qui giurava esser fedele Qui il giurava, qui il giurava E poi crudele, poi crudele mi fuggì Ah, mai più qui assorti insieme Ah, mai più qui assorti insieme Nella gioia dei sospir Ah, rendetemi la speme O lasciate, lasciatemi morir Ah, rendetemi la speme O lasciate, lasciatemi morir

  Tema de Taxi Driver (Martin Scorsese), compuesto por Bernard Herrmann en 1975,  mezcla  jazz y suspense psicológico. Destaca por un solo de saxofón alto, interpretado por Thomas Wright Scott, que evoca la atmósfera nocturna de Nueva York.  La obra recibió una nominación al Oscar.

  Till the Lights of London Shine Again" es una canción de 1940. sobre la esperanza y el reencuentro tras la guerra, en la ciudad de Londres. Aqui en la versión de Joe Loss.

  Canción de la banda de rock progresivo The Alan Parsons Project, de su álbum de 1978, Pyramid. Interpretada por el cantante británico John Miles y escrita por Eric Woolfson  y Alan Parsons. Letra Look at me now A shadow of the man I used to be Look through my eyes And through the years of loneliness, you'll see To the times in my life When I could not bear to lose a simple game And the least of it all was the fortune and the fame But the dream seemed to end Just as soon as it had begun, was I to know? For the least thing of all that was on my mind Was the close at the end of the show The shadow of a lonely man feels nobody else In the shadow of a lonely, lonely man I can see myself But the sounds of the crowds When they come to see me now is not the same And the jest of it all is I can't recall my name But I'll cling to a hope 'til I can't hold on anymore, anymore And for all the acclaim, I am all alone And I see as I look through the door The shadow of a lonely m...

  Canción de Leonard Cohen en su álbum New Skin for the Old Ceremony de 1974. Letra I remember you well in the Chelsea Hotel You were talkin' so brave and so sweet Givin' me head on the unmade bed While the limousines wait in the street Those were the reason an' that was New York We were runnin' for the money and the flesh An' that was called love for the workers in song Probably still is for those of them left Ah, but you got away, didn't you babe You just turned your back on the crowd You got away, I never once heard you say I need you, I don't need you I need you, I don't need you And all of that jiving around I remember you well in Chelsea Hotel You were famous, your heart was a legend You told me again you preferred handsome men But for me you would make an exception An' clenching your fist for the ones like us Who are oppressed by the figures of beauty You fixed yourself, you said, "Well, never mind We are ugly but we have the music" ...

  El Cantique de Jean Racine, Op. 11 es una motete sacro del compositor francés Gabriel Fauré. Compuesta  en 1865 para coro mixto  a cuatro voces (Soprano, Contralto, Tenor y Bajo)  y órgano o piano. Destaca por su melodía elegante y serena. Fauré escribió esta obra con solo 19 años , basado en una paráfrasis del dramaturgo Jean Racine (1639–1699) sobre un himno latino del breviario romano "Consors paterni luminis". Letra Verbe égal au Très-Haut, notre unique espérance, Jour éternel de la terre et des cieux, De la paisible nuit nous rompons le silence, Divin sauveur, jette sur nous les yeux! Répands sur nous le feu de ta grâce puissante, Que tout l’enfer fuie au son de ta voix, Dissipe le sommeil d’une âme languissante, Qui la conduit à l’oubli de tes lois! O Christ, sois favorable à ce peuple fidèle Pour te bénir maintenant rassemblé, Reçois les chants qu’il offre à ta gloire immortelle, Et de tes dons qu’il retourne comblé! Traducción Palabra igual al Todopoderoso,...

   Canción del dúo Jon & Vangelis. Se incluyó en su segundo álbum  The Friends of Mr Cairo, lanzado en 1981. Letra I have seen the compass turning Round and round my heart The senses are yearning For a possible change of heart That is coming to you Coming to you. You stand upright, you are different Why the spinal shock the fusion the evil Spill it out on the floor of belief Come and mend this design Come and mend this design With every right we do. I have seen the sun, this sounds crazy The story about a boy in the rain He was standing waiting for for the light As though he did have a reason to know Did he really know? His eyes were open they expected someone In his heart he felt the compass was turned on I will echo, ho for reasons that change me Every thought, though it takes son long, Is mastered with every plan It would seem there is no end To the bad or goodness in man So my friend it seems the weariest night Just leads to a heavenly dawn Should we see so much I...

  Intermezzo de la opera Pagliacci compuesta por Ruggero Leoncavallo en 1892. Se sitúa entre el primer y el segundo acto y reutiliza temas del prólogo.